师资队伍

 > 在职教师

Andrea Baldini

2018-10-20 南京大学 设置

Andrea Baldini


学位:PHD

职称:副教授

研究方向: 艺术哲学、美学和视觉文化,特别是它们与应用伦理学、社会和政治哲学、公共政策和城市传播等领域的交叉。关注艺术和创造性行为如何赋予公共空间价值,以及如何塑造和重塑公共空间的作用、功能。

科研情况

科研兴趣及主要研究方向代表性论文):

Associate Professor of Aesthetics and Art Theory, School of Arts of Nanjing University. His main research interest is philosophy of art, aesthetics and visual culture, especially at their intersection with applied ethics, social and political philosophy, public policy, and urban communication. He is interested in how artistic and creative gestures imbue public space with value(s), shaping and reshaping its uses and functions.

美学和艺术理论副教授,就职于南京大学众易彩票。主要研究方向为艺术哲学、美学和视觉文化,特别是它们与应用伦理学、社会和政治哲学、公共政策和城市传播等领域的交叉。关注艺术和创造性行为如何赋予公共空间价值,以及如何塑造和重塑公共空间的作用、功能。

专著:

ANDREA BALDINI;I Fought the Law and the Law Swanned: Art and Law in the Post-Graffiti EraKoninklijke Brill,;2018

论文:

There and Back Again: Redistributing Visibility between theVirtual and Real Alleys of GraffitiE-Flux Architecture2017

Beauty and the Behest: Distinguishing Legal and AestheticJudgment in the Context of 21st Century Street Art and GraffitiLa Rivista di Estetica2017

Knitting a Community Back Together: SpontaneousPublic Art as Citizenship Engagement in Post-Earthquake L’AquilaTerritories of Political Participation. Public Art, Urban Design, andPerformative Citizenship, Milano: Mimesis International2017

Wild Vegetables, Salsa, and Street Art. Cultural and Ecological Developments in the Chinese Provincial LandscapeLo Squaderno2016

公共艺术品的特质及其诠释;文艺研究;2016

On the Site-Specificity of Public ArtTheoreticalStudies in Literature and Art (文艺理论研究) 2016

Editor’s Foreword: Interpreting Arts Across CulturesTheoreticalStudies in Literature and Art (文艺理论研究)2016

Street Art: A Reply to Riggle"The Journal of Aesthetics and Art

Criticism "2016

"Quand les murs de bétonmuets se transformenten un carnaval de

couleur. Le street art commestratégie de résistance sociale contre le modèle commercial de la visibilité(英文名:When the Silent Concrete Turns into a Carnival of Color: Street Art as a Strategy of Social Resistance against the Corporate Regime of Visibility"Cahiers de Narratologie2016

Muri addomesticati? Street art, musei e ribellione” [Street art, museums,and rebellion]Street Art. Banksy & Co., Bologna: Bononia UniversityPress2016

Identity and Interpretation of Public Artworks: A Challenge to IntentionalismCulture-Society-Education (Kultura – Spo?ecze ?nstwo – Edukacja)2015

"An Urban Carnival on the City Walls: The Visual Representation of

Financial Power in European Street ArtJournal of Visual Culture2015

Tom Finkelpearl’s What We Made: Conversations on Art and Social CooperationJournal of Aesthetic Education2015

Doris Sommer’s The Work of Art in the WorldThe Journal of Aestheticsand Art Criticism2015

课题

ANDREA BALDINI,2016—present,PHILOSOPHY OF THE ARTS IN THE PUBLIC DOMAIN (公共领域中的艺术哲学),南京大学项目;奖项:Top Paper in Urban Communication,2016 NCA (awarded to papers included in the Top Paper Panel at the National Communication Association)

ANDREA BALDINI2014—2016

THE NON-AESTHETIC FUNCTIONS OF SPONSOREDAND SPONTANEOUS FORMS OF PUBLIC ART: ON THE THERAPEUTIC VALUE OF THE NANJING MASSACREMEMORIAL AND THE SUBVERSIVENESS OF STREET ART;来源:NJU, China Ministry of Education

创作成果:1、按时间降序排列;2、另附代表作照片3~5,照片命名中注明作品名称、时间地点材质尺寸等信息

学术会议成果展示

序号

参加人(老师)

会议(活动)名称

时间

地点((国家)+城市+机构)

是否发言(如有发言,需要填写发言稿的名称)

1  

INVITED TALKS

(受邀请做演讲)


event related to theDesign Week, in collaboration with the Institute of Italian Culture in Beijing

March 3, 2017

Qinghua Art Museum, Qinghua University, Beijing

Tell Me Where It Comes From, and I’ll Tell You What It Is


2


event related to the

Design Week, in collaboration with the Institute of Italian Culture in Shanghai

March 2, 2017

Sino-Italian Campus, Tongji University, Shanghai

Tell Me Where It Comes From, and I’ll Tell You What It Is

3


eventrelated to the Design Week, in collaboration with the Institute of Italian Culture in Shanghai

March 1, 2017

Department of Art and Design, South-East University, Nanjing,

Can Design Be Art?

4



November 11, 2016

Temple University, Philadelphia,  

Street Art in Da House: Museums and Pluralism in the 21st Century

5



November 7, 2016

College of the Holy Cross, Worcester,  

Philosophizing about Eating Food as Public Art: Some Conceptual Puzzles

6



November 4, 2016

Shanghai Normal University, Shanghai,  

A New Dawn: Conceptual Innovations in Contemporary Italian Street Art, Graffiti, and Post-Graffitism

7



November 3, 2016

Shanghai Art Fair, Shanghai,  

From the Walls of Pompei to the City Train: Past, Present, and Future of Italian Muralism

8



May 25, 2016

Wuxi Museum of Art, Wuxi,  

Between Scylla and Charybdis: Abstraction and Representation in Contemporary Italian Art

9


Lecture for the Inauguration of "New Ways of Seeing,"

December 4, 2015

Nanjing University, Xianlin Campus,

Caution, Wet Paint: Experimentations in Italian Art from the 1950s to Today

10


Symposium on Tomaso Montanari’s “Istruzioni per l’uso del futuro. Il patrimonio culturalee la democrazia che verrà",

July 28, 2015

Massa (ITALY),  

Culture, Art, and Democracy: A Discussion of Tomaso Montanari’s latest book

CONFERENCE  

PRESENTATIONS

参加国际会议

1

with Andrea Borghini

Post-Internet Cities Conference,  

May 27, 2017

Lisbon (PORTUGAL),

是,There and Back Again: Redistributing Visibility between the Virtual and Real Alleys of Graffiti”

2

with Andrea Borghini

Self: Between Consciousness and Non-Being International Conference,

May 13-14, 2017

Hokkaido,

Japan

“Anonymous, Collective, and Polyphonic: The Creative Subject in 21st Century Graffiti andStreet Art”,  

3


The Aesthetics of Perfection and Imperfection Conference,

April 15-16, 2017

Tokyo,

“Bombing the City: Tags, Graffiti, and the Political Significance of Imperfection in Urban Aesthetics”,  

4


ASA Pacific Meeting,

April 4-7, 2016

Asilomar Conference Center, Monterey (USA),

“Spray Paint and Laws: On the Differences between Legal and Aesthetic Judgment in the Contextof 21st Century Street Art and Graffiti”,  

5


International Seminar

March 30, 2017

Bologna (ITALY),  

“Tags nel paese di mezzo: La rappresentazione dello spazio pubblico cinese nei video sui graffiti”[Tags in the Middle Kingdom: The Representation of Chinese Public Space in videos on Graffiti]Visioni Urbane. Beyond the Ideal City. Spazio pubblico e narrazioni urbane attraversoil mezzo cinematografico

6

with Dr Pamela Pietrucci

NCA 102nd Annual Convention – Urban Communication Foundation

November 10-13, 2016

Philadelphia

Knitting a Community Back Together: Post-Disaster Public Art as CitizenshipEngagement

7


20th International Congress for Aesthetics

July 24-29, 2016

Seoul

Chaining Walls of Freedom? Street Art and Museums in the Era of Mass Art

8

with Dr Pamela Pietrucci

ICA Young Scholars Preconference “Communicating the Power of Visuals,”

June 9 2016

KyushuSangyo University, Fukuoka

Pebbles and Beads: Re-Appropriating Post-Earthquake L’Aquila with Street Art

9


ASA Eastern Division Meeting

April 15-16, 2016

Philadelphia

Subversive Walls

10


Street Art. Contours et Détours

September 24-26, 2015

Nice (FRANCE)

When the Silent Concrete Turns into a Carnival of Color: Street Art as a Strategy of SocialResistance against Corporate Control of Visibility

11


5th Annual Conference of the Royal Musical Association Music and Philosophy StudyGroup

July 17-18, 2015

London

Silence, Musical Form, and the Japanese Notion of Ma: An Essay in Global Aesthetics

12


“Probing Misunderstanding” International Conference

2-3 July, 2015

Liège (BELGIUM)

Misusing and Misunderstanding Public Spaces: Street Art and Its Challenge to the CorporateRegime of Visibility

13


Dubrovnik Conference on the Philosophy of Art

20-24 April, 2015

Dubrovnik (CROATIA)

Challenging the Second Dogma of Neo-Kantian Aesthetics: On the Social Dimension of PublicArt Appreciation

PROPOSED PANELS

1提出议题

co-organized with Dr Angela Condello, with Prof. Gianmaria Ajani; Prof. TizianaAndina; and Prof Maurizio Ferraris

Art & Law

April 4-7, 2017

ASA Pacific Meeting, Asilomar Conference Center


COMMENTS

1评论


William P. Seeley  

and Catherine A. Buell


April 4-7, 2017

ASA Pacific Meeting, Asilomar Conference Center

A Question of Artistic Style: Digital Image Analysisand the Classification of Paintings


图片:

Tokyo;AESTHETICS OF IMPERFECTION;2017.4

首届意大利全球设计日,2017


目前承担课程:

艺术鉴赏与策展本科生

西方艺术史 本科生

 西方艺术史 研究生

艺术和文化遗产研究生




返回 原图
/